The visionary artist Franz West and his interactive art have served as a profound inspiration for the short film “I Dreamt of Loewe,” directed by Luca Guadagnino and creatively helmed by Jonathan Anderson. This remarkable cinematic creation captures the ethereal essence of West’s art within the evocative setting of the David Zwirner art gallery in New York, forging an extraordinary union between fashion and art

Words DOMENICO COSTANTINI

Within the ineffable synergy of enlightened minds, such as the luminary creative director Jonathan Anderson and the captivating director Luca Guadagnino, a sublime connection is forged, transcending mere superficial beauty. From this fusion emerges a bespoke short film, “I Dreamt of Loewe,” where the magnificent realms of fashion, contemporary art, and the creative genius of Franz West intertwine harmoniously.

Franz West, an indisputable protagonist of 20th and 21st-century contemporary art, stands as an authentic visionary. Born in Vienna in 1947 and departed from this world in 2012, he left an indelible mark upon the artistic landscape through his multifaceted artistic practice. His oeuvre is distinguished by the ability to foster an interactive dialogue between the artwork, the observer, and the surrounding space.
West’s creations, ranging from sculpture to installation and performance art, actively beckon the audience to engage and interact with them. They are not mere objects of admiration, but rather stimuli that provoke involvement and sensory experiences. West delved into the relationship between form and function in his works, masterfully blending organic and geometric elements. His sculptures defied gravity and shattered conventions, featuring shapes that seemed to dissolve or bend unpredictably.

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Using materials such as metal, cardboard, plaster, and fabric, West brought forth tactile works that demanded touch and physical interaction. Yet, his artistic vision extended beyond the creation of objects; he transformed exhibition spaces into immersive and stimulating environments, defying traditional artistic conventions. Visitors were encouraged to interact with his installations, sitting on sculptural chairs, donning masks, and exploring the entire surrounding environment. West crafted a holistic experience, breaking down barriers between artwork and audience.
His artistic practice was imbued with a sense of humor and playful lightness. His performances often embraced theatrical and improvisational elements, captivating the audience with whimsical gestures. This experimental and spontaneous approach contributed to redefining the role of the artist and the relationship between art and spectator. Franz West’s work has garnered widespread international recognition and appreciation.
He has exhibited in prestigious museums and art institutions worldwide, including the Venice Biennale, Documenta in Kassel, and the Museum of Modern Art in New York. His works grace numerous public and private collections, a testament to their enduring relevance and impact.

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The collaboration between Jonathan Anderson, Luca Guadagnino, and Franz West stands as a captivating exemplification of how fashion, art, and cinema can converge to create unique artistic experiences. In the short film “I Dreamt of Loewe,” these creative minds unite to transport us into a surreal and psychedelic world, where five models find themselves immersed in the vibrant sculptures of West. Through a hallucinatory visual experience, the characters themselves transform into statues with haunting poses, adorned in the extraordinary garments from Loewe’s new Spring-Summer 2024 men’s collection.
Franz West emerges as an extraordinary, visionary, and pioneering artist who has profoundly influenced the landscape of contemporary art. His interactive artistic practice, blurring the boundaries between artwork, spectators, and contexts, has opened new perspectives on the role of art in contemporary society. His legacy continues to inspire and influence artists and spectators worldwide. Now, within the halls of a contemporary art exhibition, Franz West’s “Echolalia, 2010” transports the audience to a transcendent

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​Artworks:​
Franz West​, Echolalia, 2010​
Papier-mâché, gauze, cardboard, wood, steel, acrylic paint, foam, and linen in ten parts​
Dimensions variable​
©Archiv Franz West, ©Estate Franz West​
Courtesy Archiv Franz West, Estate Franz West, and David Zwirner​

​Franz West​, Diwan (Divan), 1991/2014​
39 3/8 x 90 1/2 x 33 1/2 inches​
100 x 230 x 85 cm​
©Archiv Franz West, ©Estate Franz West​
Courtesy Archiv Franz West, Estate Franz West, and David Zwirner​